# Visual style: brutalist Brutalist editorial newspaper. Wall-to-wall small type, irregular column widths, heavy rule lines, raw structure on show. Reportorial and information-dense — for annual reviews, research digests, manifestos, editorial decks that flaunt density. --- ## 1. Shape & decoration - Shape language: hard rectangles and ruled boxes; thick black borders / cell frames; visible column dividers. Corner radius `rx="0"` — never rounded. - Decoration: the grid itself is the decoration — masthead bars, rule lines, boxed pull-quotes, halftone fills. No gradients, no soft cards, no shadows. - Whitespace: tight and deliberate — narrow margins, dense columns, a newspaper's packed rhythm. Density is the point; one or two breathing zones per page keep it readable, not airy. - Irregular multi-column layout (mixed column widths) over a uniform grid; asymmetry is intentional. ## 2. Typography character - Three-family hard contrast: a heavy display sans for headlines (poster-black weight), a serif for column body, monospace for figures / data — the collision is the look. - Small body size, high density; strong size jump between masthead headline and body. Flush-left columns, tight leading. > Families are chosen at confirmation `g`; this style asks for a display-black × serif-body × monospace-data *character*. ## 3. Using the deck's colors - Near-monochrome: ink-dark structure and type on a paper-light field; a single spot accent appears rarely (a masthead rule, one key figure, a stamp) — a few percent of canvas at most. - Color as punctuation, not fill. No color blocking, no gradients — the accent earns attention by scarcity. > HEX values come from confirmation `e`; this style only governs how sparingly the accent is used — it names no colors. ## 4. Texture / elevation - Strictly flat — no drop shadows, no elevation. Depth comes from rule weight and halftone texture, not material. Optional paper-grain / halftone `` for a printed feel. ## 5. Paired image-rendering `screen-print` or `editorial` — halftone monochrome imagery that sits inside the newsprint aesthetic.